Friday, December 26, 2008
Shaking Hell
Just like you can freeze in hell & you can burn in hell, the Sonic Youth song Shaking Hell has a magnificent combination of warm and cool sounds, after the ride down the slide to the underworld at which point you find something you didn't expect, but isn't hard to imagine.
The tension builds up in the beginning. You're waiting, waiting. Then you reach the bottom, everything slows. This isnt' what you expected. The pace is robotic, not the wild action you've always been fearful of. In fact this is almost comfortable. Just get in uniform & you'll fit in just fine.
You turn around to get a look at what the rest of eternity holds for you. Can't you imagine it? This is a very visual song. Almost scarier than being alone in an unknown darkness.
As someone who has many credentials I declare this song to be the most accurate depiction of the uncomfortable, nostalgic fear.
The tension builds up in the beginning. You're waiting, waiting. Then you reach the bottom, everything slows. This isnt' what you expected. The pace is robotic, not the wild action you've always been fearful of. In fact this is almost comfortable. Just get in uniform & you'll fit in just fine.
You turn around to get a look at what the rest of eternity holds for you. Can't you imagine it? This is a very visual song. Almost scarier than being alone in an unknown darkness.
As someone who has many credentials I declare this song to be the most accurate depiction of the uncomfortable, nostalgic fear.
Monday, December 22, 2008
V and R Stereo Cassette
is available now, and it sounds really good
Joke? Harmonica
mcdeaf mcdeath mcdead
The When McGruff Was King
All of Sound
it is 122 minutes long
It costs $5 or other arrangement.
contact me on gmail by my name which is dayveo
this is a limited release of 20
Monday, December 15, 2008
Wednesday, December 10, 2008
Wednesday, December 3, 2008
fresh zip from v&r
the first ep from mcdeaf mcdeath mcdead circa 2007
4 cool tracks perfect for your winter life
http://www.megaupload.com/?d=LUOPP2R0
or
http://www.zshare.net/download/522925114e526d81/
4 cool tracks perfect for your winter life
http://www.megaupload.com/?d=LUOPP2R0
or
http://www.zshare.net/download/522925114e526d81/
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Tuesday, December 2, 2008
Monday, December 1, 2008
The Anticipation Proclamation
November 27, 2008
Wonder Wheel 17: Hello Picture! will be the first piece of 21st Century Music. The composition will properly herald the second millennia of the Common Era and verify the Future World envisioned by the speculators from the 1920's, 1950's through 1970's.
Future Music is the result of imagination and the anticipated creation within composed works. Highlighted points of musical perpetuation include the atonal development of Arnold Schoenberg (1874-1951), the compiled sounds of "Poéme Électronique" by Edgard Varèse (1883-1965), the Sonic Signatures and Electronic Pop productions of Joe Meek (1929-1967), and the variation of tape and melody on "Discreet Music" by Brian Eno (1948-Present).
Utilizing Pop Music constructs (i.e. Western Scales, Verse/Chorus Structure, Conventional Rhythm, etc.), variations on melody, isolation and repetition of structure, false tempo, and folk-historical rhetoric provide the grounds to establish the Future Music of the 21st Century.
To combine the Future World with the Future Music, the tools and machines used in the documenting process acknowledge both worlds of digital and analog technology.
1. Recorded onto tape machines of the 1980's and 1990's
2. Performing with a digital interface of analog equipment
3. Manipulated by tape speed and/or pitch of plug-in
4. Transferred to computers of the mid 2000's
These primary directives are used to establish unique Sonic Signatures and conclude the composition.
All previous creations from the years of 2000-2007 have reflected the world of the 20th Century, relying on previous conventions and thematic influence to create music of, and not for, the new millennium. Until now, there has been no perpetuation to embrace 21st Century Music, yet the metropolises of the United States are very aware of the Future World aboard television billboards in public spaces, touch screen computer interfaces, and personalized global positioning systems. These details, current fashions, and consumption of media and technology outline present living in the Future World.
Welcome to the 21st Century, a period that acknowledges the many advances in technology and shifts in past societies. We are not to concern ourselves primarily with the theories and philosophies of the past; moreover we acknowledge and emphasize their truths to build upon the fundamental institutions, to provoke a new Future World.
Paul Andrew Rosales
Orange, California
The United States of America
number5main@gmail.com
www. number5music. org
Wonder Wheel 17: Hello Picture! will be the first piece of 21st Century Music. The composition will properly herald the second millennia of the Common Era and verify the Future World envisioned by the speculators from the 1920's, 1950's through 1970's.
Future Music is the result of imagination and the anticipated creation within composed works. Highlighted points of musical perpetuation include the atonal development of Arnold Schoenberg (1874-1951), the compiled sounds of "Poéme Électronique" by Edgard Varèse (1883-1965), the Sonic Signatures and Electronic Pop productions of Joe Meek (1929-1967), and the variation of tape and melody on "Discreet Music" by Brian Eno (1948-Present).
Utilizing Pop Music constructs (i.e. Western Scales, Verse/Chorus Structure, Conventional Rhythm, etc.), variations on melody, isolation and repetition of structure, false tempo, and folk-historical rhetoric provide the grounds to establish the Future Music of the 21st Century.
To combine the Future World with the Future Music, the tools and machines used in the documenting process acknowledge both worlds of digital and analog technology.
1. Recorded onto tape machines of the 1980's and 1990's
2. Performing with a digital interface of analog equipment
3. Manipulated by tape speed and/or pitch of plug-in
4. Transferred to computers of the mid 2000's
These primary directives are used to establish unique Sonic Signatures and conclude the composition.
All previous creations from the years of 2000-2007 have reflected the world of the 20th Century, relying on previous conventions and thematic influence to create music of, and not for, the new millennium. Until now, there has been no perpetuation to embrace 21st Century Music, yet the metropolises of the United States are very aware of the Future World aboard television billboards in public spaces, touch screen computer interfaces, and personalized global positioning systems. These details, current fashions, and consumption of media and technology outline present living in the Future World.
Welcome to the 21st Century, a period that acknowledges the many advances in technology and shifts in past societies. We are not to concern ourselves primarily with the theories and philosophies of the past; moreover we acknowledge and emphasize their truths to build upon the fundamental institutions, to provoke a new Future World.
Paul Andrew Rosales
Orange, California
The United States of America
number5main@gmail.com
www. number5music. org
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